The Morphic paintings play with geometry using indirect and unpredictable working methods particularly suited to the application and resistance of liquid media. There are unpremeditated references to connective structures in nature, while the symmetry mirrors and stabilises the two-dimensional plane.

Self-organisation of cellular structures, indicative of underlying similarities between diverse and complex phenomena are of interest to me. In a simple manner, a comparative effect has been observed in the making of these paintings.

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Morphic Painting #7, 1997 Pigments & gesso on cotton canvas on plywood, 76x76cm..