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What if painting could be imagined as a feedback loop that reflects its temporal containment. For instance, in logical terms, an image field is assembled through progressive decisions. Alternately, evolving patterns within a colour layering process might suggest a stream of options. In which case, predetermined actions necessarily dissolve as the work proceeds and additions are rebalanced through interpretation at every move. There could be a simple periodic system within each image, while anticipation lessens as the painting becomes complete unto itself.
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